That Pesky Point of View

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Stardate 95719.53

I feel like I’m doing a lot more blogging than writing lately, but it is, I suppose, my therapy during this process. That’s what writing essentially is – a process. Writing is also considered an art form but in the long run it is also a process. Why do you think there are so many tip websites, self-help books, outlining, and plot line diagrams to help move the stories along? Whether you like it or not many authors/writers like myself need to have a bit of a helping hand.

I feel like this blog is only about the problems I’m encountering as a writer.

I’ll never forget the first time I tried to write a story. I don’t remember what it was about but I do remember that when I went back through it later on I realized I had a problem. A point of view problem. I feel like this blog is only about the problems I’m encountering as a writer. I don’t mean to be so negative but how else am I to seek assistance from those more matured in the craft than I?

In that first story I kept swinging back and forth between the pronouns. I’ve heard others say to not worry about the technical aspects of your first draft – just write it. I know that’s what first drafts are all about; hashing out what you want and adjusting, adding and amending later in your second or third draft. But I’m afraid of slipping back into that old school habit of switching between the POVs from one chapter to the next and losing that continuity. What’s funny is one of the authors I follow on Twitter mentioned the same thing several months back – that she had to go back and edit because of a POV issue. I don’t remember if it was Nichelle Rae, Melanie Dickerson or someone else, but it’s nice to know that even already-published authors experience the same things.

I recently came across a sub-page called Grammar Girl who writes articles about, well, writing (imagine that!) that covers this very topic, and covers it much more eloquently than I ever could. While the article is from 2011 and it is now 2018, some thing never change in the writing world and I am grateful for that. I just know that from here on out I’ll most likely have a post-it somewhere that will constantly remind me of what form I’m using for my point of view. What’s also making it easier on myself is that I’m only doing one character’s point of view per book.

That was the other problem I had months ago – how many characters do I want to give voices to throughout the journey? How many times does that POV change within a chapter? Or does it stay the same in a single chapter? Keep it simple. Keep it real. Keep it within one mindset.

Maybe my next series can be a bit more complicated, unless I never actually finish the Firedamp series. I certainly hope that won’t be the case! I’m just hoping that, as someone who has never taken on a task like this before, I am at least on the right track. The main goal was to not bite off more than I can chew (which was entirely the case during my initial planning phase of this book!). Now if only I can get all the logistics under control… 

From Exposition to Resolution

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Stardate 95717.53

I have many problems. C’mon now, they’re writing problems. It took me weeks to figure out my story’s ending and even then I knew that all the pieces weren’t going to be resolved in one book. (Read my prior blog post about that particular issue here). Now the problem is everything in between.

This is something that has followed me from my fan fiction writing days. I have never been able to finish a story – it just keeps going on and on and on and….well, you get the picture. Think about that graphic – the one from high school English or Creative Writing class. This one:

story arc

Now this is the most basic of basic plot graph you can find. It doesn’t even have the same word I use in my title. Then there’s this graphic:

arcs

I’d say that kind of thing would accurately represent the J.R.R. Tolkien The Lord of the Ring’s novels. (And now the theme song is stuck in my head. Thanks brain). I highly doubt that Firedamp is ever going to be that complicated, maybe that first little bump on the left hand side, but not the twenty bumps after.

It’s that first section of bumps that encouraged me to have not one outline but multiple outlines. I am positive that by the end of this I’ll also have a “family tree” of sorts on my home office wall showing how each character is connected to each other. I would rather have them all connect somehow than to have one random individual off in La La Land dancing around like Ryan Gosling and Emma Stone. Unless they have a purpose.

And all that’s the challenge of writing, isn’t it? How to not make your novel feel like a cancelled TV show that has a cliffhanger ending that leaves you wondering what the point of even writing it? I always thought that finding the ending was the hardest part, but now that I have both that and the beginning, now it is everything in between. That’s all part of the adventure that I think I’m slightly scared of because they say that you write a bit of yourself into each character. Baring that little bit of soul can be intimidating and you don’t know who can read between the lines.

But you know what? That’s okay. In order to make your characters be ones folks will want to know more about you gotta bare your soul so they have soul. And when there’s that soul you can easily go from the exposition to the resolution.

I know it’s from The Hobbit film instead of LOTR but it’s in my head!

The True Order of Things vs. the Fictional Order of Things

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Stardate 95650.99

I am writing an historical adventure novel. At one point in time I dreamt of it being a fantastical one as well but when I realized I was biting off more than I could chew for a first novel I downgraded it to purely historical.

Another problem arose: should it be true to the historical timeline or is it okay to take the creative license and put things slightly out of order to work for the story line? Does one sacrifice actual history in order to move a story along or do they choose different events to spur the characters onward?

Last week I asked my uncle to look at my novel outline and get his opinion on it. He’s been publishing children’s books for over twenty years and many of the children in the family have books dedicated to them because of him. So I trust his eye and knowledge of the system. Of course he’s been in the system for years and things have changed a bit since he’s started but he did make a good point. He said;

Am I right in remembering that there was going to be some fantasy element in the story? Or is it now more of an adventure based on historical events? If that is the case, then you might find people raising questions if things are out of historical order. Readers can be very fussy. And social media hasn’t made that any better.

When he said the “Readers can be very fussy” portion I got nervous, because I had reordered two significant events to match the adventure. I explained to him that I’ll be including a Preface or something after explaining the significance of the events and the players involved. My mind still wants to think that that will be enough but I am still unsure if it is the right move. So let’s look at both methods:

The True Order of Things. If I kept everything as-is, the climax of the story would happen very early in the character’s lives and not make much sense unless I extend the premise of the novel even longer than originally intended. Unless, of course, I find something else that makes sense as well. That would create more research work and I’m ready to dive right in by now!

The Fictional Order of Things. Here’s the downside of this one: if people were to purchase this thinking that it was a true historical novel they may be upset over the fact that things got flipped around without some sort of explanation. With the exception of some backstory and the main characters themselves, the main players mentioned in the book existed. I don’t want to give up too much and mention all the proper nouns here, but that’s one thing I love about history – the fact that these characters are so well known that countless books have been written on their subject matter. Do I sacrifice full historical fact just to make the story move along or do I keep my original outline?

I suppose that all these questions are just a part of the normal writing process, and I’ll admit that it was a question I did not anticipate coming to light. I just assumed that readers would automatically accept the reasoning without having to explain it. I am one of those readers who will look up individuals from a historical novel or television show myself so the mere fact that I, as a writer, didn’t take that into account makes me laugh. And perhaps once I figure out this order business the ending will come to light as well. But for now I’ll be diving into a book titled “The River Ran Red.”

Because what good is a historical novelist if they don’t even read history?

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The Ending Problem

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Hi. My name is Leigh and I have a problem. I have a problem ending my stories.

I don’t think it matters how long someone has been writing or if they even have anything published, it seems like it’s something that any writer can struggle with. With that being said, however, I’m an unseasoned writer who’s never been part of a critique group or had someone who can guide me through the writing process. The last time I had any sort of “class” on it was high school Creative Writing. I think that was the last time I ever finished a story because I had to in order to get a passing grade.

Aren’t those endings the worst?

The ones where you’re obligated to just write SOMEthing that kind of makes sense?

That’s how I felt when I wrote this short story for the class. It was later put into my high school’s 2004 Literary Magazine (I just aged myself right there) and won a prize for it as well. I don’t think I ever felt fully satisfied with it though and I have noticed that trend carry on into my adult writing as well.

No, I don’t mean adult as in sexy stories. Get your mind out of the gutter, people. I mean into my adult years. For example, look at my current novel. My first novel. I have been loving taking this journey that began late 2016 with an idea. It has developed into an historical adventure and I think I am afraid of ending it because I’m not ready to let it go. Granted, I’m still just working on the research and outline portion, and I have everything up to the climax at the top of the bell curve. Once I reach the falling action and the wind down from that to the resolution – my mind goes blank.

I think subconsciously my mind is not yet ready to let go of the characters. It sounds so silly, especially when I haven’t even reached that part in my first draft yet. The other problem is that the book can be any length. It can be thick like Book 8 in the Harry Potter series. It can be just one story in itself. It can have a cliff hanger and leave you wanting to know more about the characters than what’s already there. There’s so many variables in how to end the story.

What if that’s the whole point of not fully finishing the outline? What if I’m thinking that maybe there can be a second book and it just hasn’t developed in the backstory yet? So I suppose then that this problem really isn’t a problem at all. It’s, quite literally, all part of the writing process. I read on another blog not too long ago that in order to pitch a new story to a publisher you *should* have a second book planned to show them that you have faith in the story and can be something that can be easily marketed *like* the Harry Potter series. The Twilight saga (let’s not even open that can of worms). But what if the book is so good by itself that it doesn’t need a companion? I guess we won’t know until we reach that point.

I understand what that blogger was trying to say – about having faith in your own novel enough to want to have a second story to go with it. I think that that train of thought though can maybe make the potential author think too much about the future and not focus on the story at hand. If another plot follows the original, so be it. If it’s going to be a single story within itself, that’s okay too. If we focus too much on the publishing end of things before we have an actual story to work with, that can be just as distracting. So that’s what I’m going to focus on in 2018: punching out a draft and FINISHING the draft before I look for an editor. Before I scope out potential publishers. Before I seek out critiquers (which isn’t really a word. I think I just made that up). Then that way I can just let the story itself flow without all those other distractions.

Problem solved.

Why I Gave Up On Wattpad

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Stardate 95645.98

Community. It’s something I think every writer seeks to be a part of whether they want to admit it or not. We crave reviewers, feedback and opinions from others who may be more experienced in the field even though we may disagree with it at the same time. That’s why a place like Wattpad seems so appealing. It’s a community of other writers and readers who crave new stories, but who also crave being taken seriously as they write. There are downsides, however, to this kind of format and that’s what I’ll be exploring in today’s blog post. So let’s dive right into my thinking here with my Top 3 Reasons for Why I Gave Up on Wattpad.

1: Fan fictions
Now I’m not here to “dis” on fan fictions (and some readers of this blog may strongly disagree with me on this). Far from it. Writing fan fiction was partly how I got my inspiration to write an actual novel.  I grew up writing Star Trek stories (before I even knew what the term fan fiction actually was) and it morphed into Supernatural stories in my college years. There’s, most likely, more words in my Supernatural fan fictions than there were in four years’ worth of college papers combined. There is an overwhelming number of fan fictions for every fandom you can think of. Kpop bands? There’s fan fiction for that. Supernatural? Of course. Ninja turtles? Yep. Anime, manga and OST? Definitely.

Let me return to my original premise: I’m not here to “dis” on fan fictions. I had one, based off Supernatural, called Sam in Wonderland, that I thoroughly enjoyed writing. The problem with it, though, was that I could never seem to finish it. And since it was an un-publishable fan fiction, I just kept it going. But here’s a pro for stories such as these: there are some truly amazing ones out there. And Wattpad does give non-traditional writers a place to practice and find others who enjoy what they do as well.

Solution: If you want to get good feedback on a story you eventually want to publish either through traditional means or self-publishing, finding someone to critique your work who has been in the biz may prove incredibly useful. You may argue about scenes you love verses what they may see as not part of the story, but that’s what they’re there for. And fan fictions may even turn into a potential episode script (we’ve seen it happen before! Let’s face it, The Orville is basically one big Star Trek fan fiction within itself!)

2: Noise
Wattpad boasts a “large reading audience” but it can be very overwhelming and difficult to get “noticed.” Unless, of course, you write something that’s trending or popular. There’s a rather uncomfortable level of sexy stories with incredibly mature themes that anyone of any age can read. I love finding new stories, but I have the same problem with my Amazon Kindle that I do Wattpad – there’s a never-ending supply of new books and stories and sometimes ones with potential fall through the cracks. You can tailor your searches but I found myself browsing more than reading and never actually posting stories myself.

3: Potential for Theft
This is something that makes me nervous about posting something on a website – anyone can just copy-paste your story and try to pass it off as their own. Of course plagiarism exists even when a book is actually published and in readers’ hands (flashback to high school English class with the MLA Handbook for research papers and how to not plagiarize), and the website does require you to have an account before you can even browse for something to read. So I don’t think that I would ever want to have a story up on an unsecured site where anyone can just grab it for their own. Call me paranoid but unfortunately you can’t be too careful in today’s world with everything from debit card information to stories.

Final Thoughts
While Wattpad and other sites like it may be overwhelming for some they can be incredibly useful tools for others. Some have had success and Wattpad itself even has a list of books that started out as stories online. But there are those who, like myself, definitely prefer the “old school” way of publishing. Sometimes a place like Wattpad can be too “noisy” and other types of free software can help minimize distractions. Everyone has their own methods and what helps them write. If Wattpad is that for you, then by all means. If finding critique partners is it, go for it. The publishing world can be competitive but that doesn’t mean we have to stomp on anyone’s toes to get there. This blog may have been slightly tongue-and-cheek so I hope it made sense to someone out there!

What Inspired Me to Write #firedamp

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Stardate 95237.46

It was literally a dream. Without sounding prophetical or in need of being admitted to an asylum, that is exactly how the idea for Firedamp came about. A dream. The kind of dream that was so vivid that you wake up after and you have to wonder if it actually happened or not. So I had the idea but it was the execution of it that perplexed me at first. Then it dawned on me:  what better way than to combine something fantastical with historical fact? Not only that, but center it in a place you love and where you grew up? We’ve all heard the phrase, “Write what you know.” What I know is Pennsylvania.

The American Keystone State of Pennsylvania is one of the oldest colonies in the United States. From Fort Pitt to Gettysburg to Homestead and beyond, events in these places helped establish Pennsylvania as an integral force throughout history. But also in Pennsylvania, it became an industrial hub for the blue collar working class. With their lives being dictated by old money and those who controlled it. All these factors will come to play in Firedamp in one way or another, and I hope I somehow do it justice.

While I admit that it has been an on-again-off-again project, I am constantly thinking of it, constantly researching, constantly writing and constantly outlining. Firedamp is a historically-driven novel that combines several big events where hopefully readers of all ages will not only enjoy but learn something new in the process about the past that should not be forgotten.

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Writers and their Habitats

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Stardate 94837.91

Habit. When I typed that out just now I wanted to keep going and write “habitat” instead. But the two can go hand-in-hand, depending on the way you look at it. Now I can only speak for myself, but I think each individual writer builds their own “habitat” or “nest” for when they write; their own creative space that allows them to get into that special mode for putting ink to paper.

My own habitat is still in-the-works. It’s such an odd space filled with windows and doors on every wall. I want to do something more with it but time and budget are both against me. I almost bought a shelf earlier this year that would have finally taken care of replacing a mishmash collection of storage units I gained from my mother. Half the time a pile of papers ends up on either side of my chair on the floor because my desk isn’t big enough. And the other half of the time is spent cleaning that pile up.

But isn’t that how many of us are? We’re so focused on our projects that we ignore the habitat we’ve created for ourselves. It’s become…habit. There are, however, other aspects of my writer’s habitat I do love. I love my constant stream of kpop, big band or soundtrack music to keep me inspired. I love the various posters on my wall of things that keep me motivated. And I even love the slight mess that is always constant.

One of these days I’ll truly have my habitat sorted out. In the meantime I’ll continue to dream.

A #WriteTip for Fellow Novel Virgins

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Stardate 94799.93

Short #writetip for my fellow #novelvirgins

I have been researching my first novel for seven months. Seven. Granted, I took a break over the Thanksgiving/Christmas period because it just became too much with normal life. But that’s the trick, isn’t it? Knowing when too much is just…too much?

I don’t know how it is for other first-time novelists, but I have found that I can’t research/write every single day. This past weekend I went through three volumes of non-fiction on the Homestead Strikes of the 1800s in one day. To quote the Wheel of Fortune game, THAT’S TOO MUCH!! (points if you know what I’m talking about!)

I have found my research and my epiphones come in waves. One line of research can inspire a whole paragraph chicken-scratched in the next page of my journal that had originally been earmarked for, well, more research quotes.

Knowing when to take little breaks has been learned the hard way. As a first-time novelist you know you are working at your own pace. You don’t have an editor or a publicist asking you for your next set of chapters, or if your book is going to be a trilogy, or potential readers (yet!) asking you questions you don’t know the answers to yet. Don’t let yourself burn out before you get to the meat of your idea.

It’s okay to take your time, you novel virgin! You’ll know when you’re ready to pick it back up!

#keepcalmandwriteon

Puddled in Your Head

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Stardate 94770.64

Does it feel like you’ve been researching way too long without producing much?
Does it feel like way too much information has puddled in your head with no relief?

Earlier this week I felt the same way. With one-third of my journal filled I was feeling overwhelmed until I decided to bite the bullet and sticky-note it all. So I dug out my old college supplies, found those skinny Post-It strips, and got to work. Halfway through all the jumble I found my synopsis. And then halfway through the synopsis I found my characters’ route and from that I am finally able to start formulating my plot.

So don’t let the writing process frustrate you. That’s why it’s called the writing process; just give yourself time…especially if it’s a historical novel!

Why You Should Research Your Historical Novel

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Stardate 94766.96: #writetip

Every writer has to start somewhere. Every potential author needs to know that they don’t know everything. That, quite honestly, is one of the cold hard truths of the fast-paced publishing world. When I started this book last September, all I had was one tiny idea. One tiny element that would eventually grow to be this beast of a project where I am consistently learning new things.

If you’re going to write about a certain time period, KNOW that time period. You can’t write on the mid 1800s if all you’ve seen on the subject is a single film version of Jane Eyre. You have to immerse yourself in it. Be analytical of the content you find and be extremely picky of what you choose to include in your own nonfiction.

For first-time writers the task can be daunting at first. It was for me when I realized how little I knew. Some authors can pick up their pen and crank out half a novel in a night. Don’t let yourself become discouraged if you find yourself getting stuck. That’s what the research there is for! If you’re not sure what type of hat your character could have worn, or why they believe what they believe, or if the town you chose for your backdrop is the proper setting for your climax, research it.

Another truth: readers will know, and want to know, why you chose the details you put in. Your readers will also be able to pick up on false facts, especially if you’re writing something historical. Granted, it will be your take on events that actually happened, but be prepared to be able to explain the why.

Is research daunting? Yes. But you will not only find connections in the process but gain a wealth of knowledge on your subjects that you may otherwise have never known.