Facing It | Four Writing Personalities

I think that most of those who write, including myself, have dreamed of having their name included among the greatest authors of their time, from time to time anyway. So I’ve listed, down below, several things I tried and learned they’re things I just cannot do. Or. rather, need more time accomplishing. The next points emphasize the facts that not everything is free, whether its your time or your money.

  1. The Unrealistic Goal Setter. Word count and completion goals
    You really don’t need to be a hero in this area. Any time I give myself an unreasonable goal my mind sabotages my thought process. I always do everything and anything to “distract” myself from actually reaching those goals. For example, I made an IG post the other day about being *this close* to finishing the first draft of my novella. What do I do? I watch late night tv, bake, Star Trek, blog, stare at social media like it’s actually important – you get the picture.

    Don’t set yourself up for failure. If you’re a new writer, set reasonable goals to start off. If you have a full or part time job on the side, work around that schedule. If you’re worried about word count, and you’re not even contracted for it, there’s no need to think twice about deadlines. You don’t want to sacrifice quality for quantity.

    Don’t set yourself up for failure. […] You don’t want to sacrifice quality for quantity.

  2. The Egotist. Not writing anything down because you can always remember it
    I mean, really now. Unless you have one of those fancy eidetic memories, don’t kid yourself. If you think of it, write it down. If you dream it, write it down. That’s why you see pictures of piles of story notebooks and journals on your fellow writers and authors social media pages. It’s not just for show (well, in the world of social media itself, it could still be just for show). Regardless…

    #WriteTip: if you haven’t already, start your own stockpile of journals. Big ones, little ones, fancy ones, or simple ones. Find your own niche; the way you prefer to write. Even if you’re one of those strictly-electronic people, you’re not always going to have your laptop or computer by your bed. So get that notepad and start writing!

    If you think of it, write it down. If you dream it, write it down.

  3. The Over-dreamer. Thinking you’re going to get a publisher on your first query
    That is as fantastical as that fantastical fiction you’re writing. There are countless tales online of it taking years for writers to get noticed by a publisher. Now I’m not saying this to scare you away from your publishing prospects, not at all. Think of the next two points as the tough love section. Just how there are “cold calls” done by telemarketers, submitting a manuscript out of the blue can be considered “cold calling” as well without doing any research into the publishing house or sending out a customized a query letter.

    “But I just want to get published!” Trust me, I get it. I really do. But if going the traditional route is the way you’ve chosen, then you need to have the patience of a saint and the drive to do your research into the publishing houses you want to try for. Here’s a tip I recently learned from my uncle – don’t use that publisher’s book that has lists of agents, publishing houses, editors, etc. for at least the publishers side of it. His reasoning: from the time that book is published to the time you potentially buy it, information could already be outdated. A publishing house could go under. An agent may decide to not represent authors anymore. Go to your genre’s section in an actual book store. It can be at a place like Half Price Books, that unique mom and pop shop you love so much or even Barnes N Noble (if they’re still around in your area). Open the covers of the books in that section and take note of their publication pages. That way you can go online and you’ll know for sure that they’re actually still around.

    Publishing this way takes a lot of hard work, patience (as already mentioned), and tenacity. Make sure you’re choosing houses (no, I don’t mean being sorted into Gryffindor) that might suit you. Or, if you do have an agent, make sure it’s a genre they’ll be just as passionate about representing as you are. Either way, patience, patience patience!

    Publishing this way take a lot of hard work, patience and tenacity.

    1. The World Revolves Around Me. Thinking you can find an editor for free. Or a book cover designer or…
      If you’re going the self-publishing route, be prepared to potentially spend a lot of money doing so. On several websites for editors I’ve found that the minimum is $500 for 20k to 30k words. Ouch! But if you’re looking for an editor or one of those folks who critique works, I’m sure you’ve already heard that it is a valuable investment and it is. It gets you in touch with folks who have been in the business for years and know what to look for. Which reminds me…I need an editor…

      Along the same lines, cover designing is also up in the non-freebie realm. Even though there’s the old adage of “never judging a book by its cover,” we all still do it, right? Admit it. If the cover doesn’t pique your interest as a reader first, you’re likely to pass it up without even reading the back cover or inside flap. If you have artists in your family or you’re incredibly talented yourself, go for doing it yourself. However, I wouldn’t suggest putting one of those “can anyone just help me out?” tweets up and expect folks to come running. To many it can seem like your begging for attention and you wouldn’t want that either.

      Even though there’s the old adage of “never judging a book by its cover,” we all still do it, right? Admit it. If the cover doesn’t pique your interest as a reader first, you’re likely to pass it up without even reading the back cover or inside flap.

Publishing is still big business. Don’t let those who want to move everything to the tech world fool you into thinking that it’s a dead line of work. Do you know how many other authors and writers I’ve connected with through Twitter and Instagram? Many have been in the biz for years but a good many of them are babies just like me. We’re still finding our way and trusting the experienced to not lead us astray. Sometimes the writer’s community can be a toxic one, but if you surround yourself with the right folks who encourage you and you them, then you have found some gems.

Sometimes the writer’s community can be a toxic one, but if you surround yourself with the right folks who encourage you and you them, then you have found some gems.

Keep an eye out for the scams. If something looks too good to be true then it probably is. If someone is asking you to “give us x amount and we’ll do ALL THIS for YOU,” run hard. Run fast. I came across a website like that recently and their graphics kept emphasizing that they accepted all forms of payment even though they looked quite professional. If you get the feeling that something is off, check their location, their social media presence (ie follower count to the number of active users on their posts – they could have purchased followers to seem like they have a good presence online), and so on.

If you’ve found a mentor you can trust throughout your journey, ask them.
Rely on your instincts and write.

Rely on your instincts and write.


Facing It | Receiving the Advice

thankful.jpg

I’ve touched upon this topic a little bit already in an earlier post, how there’s a fine line between going back over a chapter you’ve already written ten times over without letting yourself just write the story. But now I feel like I’ve gotten far enough along to where I actually need to start paying further attention to lengths of scenes and what’s actually considered “fluff” over what’s actually “necessary.”

A writer has a certain degree of artistic license. Sometimes it works, sometimes it doesn’t. And when it comes time for those edits it can be painful to cut any of it out. Especially if it’s a scene you’ve come to love. Advise is a tricky thing, because you want to learn from someone who’s more experienced than you and that’s why you asked them to beta read in the first place. At the same time you don’t want to just dismiss what they have to say because you don’t like it.

  1. Know that it’s okay to reject an opinion.
    You don’t have to accept everything someone says about your story. If you want to leave a bit in there, leave it in there. If the scene needs shortened or lengthened, do it. If it’s a section that reveals too much of your plot early on, maybe save it in another document to put it elsewhere in the story. I recently had to do that with one of the original scenes I wrote when The Firedamp Chronicles project began. In fact, I had to accept that it actually belongs in the fourth planned book rather than the first. So I have several documents of original scenes, imagery and terminology that I’ll work in as the WIP presses on. Don’t feel that you need to explain all your decisions to your beta readers either. If they’ve only read a couple of chapters and something they suggest (for or against) will make sense later on, don’t reveal all your secrets just yet! Let them discover it on their own.

    Don’t feel that you need to explain all your decisions to your beta readers either. If they’ve only read a couple of chapters and something they suggest (for or against) will make sense later on, don’t reveal all your secrets just yet!

  2. For the most part, they’re right, even if you don’t want to hear it.
    You’ve probably experienced this next topic at some point in your life whether it’s with writing or some other area – advise from family is the worst. The level of acceptance can be depend on the kind of relationship you have with them! (You love your family, for the most part, am I right?) But when it comes to any level of professional advise it can be more prudent to seek counsel elsewhere.

    In the early 2000s it was seen almost “weird” meeting strangers on the Internet. But over the past fifteen years with the rise of multiple social media platforms it’s much more socially acceptable. There’s still the fear of someone stealing your work or “catfishing” you, but there are still trustworthy folks out there whose aim isn’t to take advantage of you. Find a small group of people you trust, using whatever method of communication you trust, and let them know that they can trust you as well. That way, whether you beta read for them or they for you, you know their opinions will hold more weight and the advise pill will be easier to swallow.

There’s still the fear of someone stealing your work or “catfishing” you, but there are still trustworthy folks out there whose aim isn’t to take advantage of you.

So I guess the only question that remains is this: Have you found someone you can trust? I’d like to think I have, and I’d like to think that they can trust me. We all have a singular goal – to be a published author. If we hold each other up and support one another in our journeys rather than be cutthroat about it, then we can celebrate each others achievements and be genuinely happy for each other.

#WQOTD for all you more grammatically-minded folks: Should I have used “advice” or “advise” in this post? I just picked one form and stuck with it!

If we hold each other up and support one another in our journeys rather than be cutthroat about it, then we can celebrate each other’s achievements and be genuinely happy for each other.

For now, don’t worry about the edits, unless you’re already at that stage of course! Just remember that you asked for their help. They’re giving up time in their day to sit down to analyze and enjoy and believe in your story. So don’t be too harsh on your return. They’ll appreciate that you’re just willing to listen!


Facing It | Writer’s Block

I’ve decided to start a new blog series called “Facing It.” I don’t know how original it is or if I’m even qualified to write it, but I’ve recently felt like I need to do just what the title implies. To face it. To call out whatever it is and face it rather than avoid or downplay it. I’m sure there are also countless other blog posts that talk about writer’s block, how to overcome it or let it run its course, so this post will just highlight what I’ve learned and what I’m doing to press on.

  1. I am learning to recognize the difference between “procrastination” and “writer’s block.”
    While I’m not sure if there’s any scientific proof out there to support this statement, I do know that I’ve crossed the line several times into one realm or another. There are days that I want and need to write but I just can’t focus on the outline or story at all. Is that called writer’s block or is that called procrastination? I think that it’s a combination of the two working together against the writer. But what ARE the differences between the two?
    A. Procrastination: Twitter. Facebook. MySpace (yes, that still exists). YouTube. Smart phones. We live in a world of distractions. They’re also tools that connect writers and readers, writers and writers, and writers to potential publishers and booksellers. I feel that procrastination is a sign of doubt. Doubt in one’s ability to write or doubt in the story itself and that’s why the writer gives up. That’s how it is for me, anyway. I’ve found myself doubting my ability to write a novel, much less a series, the further in I go. That’s why I procrastinate. I just need to write the story first. That’s the only way I’ll know if I actually CAN.
    B. Writer’s Block: This one is far more frustrating than procrastination because it’s something that’s harder to control. With procrastination you at least have a choice of not watching that YouTube video or not. Of going on Twitter or staying off of it. This one is harder to overcome because if you’re stuck on a decision one of your characters has to make that will affect the rest of the story then you know that you can’t move on until that’s resolved. I am challenging myself to remember that no matter how prepared I am with my research, outline, or knowing how to get from point A to B to C, writing isn’t easy. Writer’s block is just part of the process. Like researching everything….ChallengeYourself
  2. I am teaching myself that it’s okay to skip a day. Or two.
    Of course, me being me, I chose one of the hardest genres to write: historical fiction. And when you’re writing history you better know what you’re talking about. That’s not intimidating at all! Personally, I’ve found that it’s actually healthier for me to not write for eight hours straight every single day and add some non-fiction reading into the mix. That in itself usually helps get the juices flowing again. A new event. A new date. A new person. A new map. If you can train yourself to think of what you can do to combat writer’s block, do it. Research is what I do. I sound like I should be a stuffy professor in the back stacks of a library. I’m not, but boy does that sound appealing…I digress. Whether you’re researching something new or enjoying a baseball game with the family, don’t feel guilty about not always working on your novel. A work-life balance is necessary with writing just like it is with everything else. Sometimes time away from it is just what you need. I know it’s what I need. I also need to bake cookies tonight…(is that considered procrastination or just “taking a break?”)
    TeachYourself
  3. I am accepting that it’s okay to have a side story or two.
    This one can be a double-edged sword. You don’t want to have ten side stories you’re working on to avoid your main one. Sometimes you do need a break from the “work” and wind-down with something perhaps a bit more fun. My novel series is the challenge. My current side story is the fun. It’s where I can use “less smart” words and write what I can’t include in the story I intend for publication. The downside to it is sometimes I can write six pages of my side story and just a paragraph of the novel series. To quote Jubal Early from the Firefly series, “does that seem right to you?” Write what just what you need to get the juices flowing once more but then transfer that back to what you actually hope to get published.
    AcceptYourself
  4. I am learning to heed advice from others and trying to not get caught up in the “fluff.”
    Advise can sometimes be a hard pill to swallow especially if you are a stubborn person like I am. Especially if it comes from family. Why is it always easier to take advice from strangers on the World Wide Web (I just aged myself there) than it is from your father, your sister, even your grandmother? But there is such a thing as too much advice which can create more doubt than help. I’m learning to go back to the basics. My website is just one of thousands of blogs out there on writing. That’s a lot of noise and I admit that, while I may not really be qualified on a professional level to tell people what to do and what not to do, I’m finally finding my rhythm after over two years of research (it all circles back to research, doesn’t it?!) Advise is good. Just don’t let yourself get caught up in the fluff, especially if it doesn’t pertain to you.

    Was that just advise? Whoops!

The moral of the story is this: find what works for you.
If having the latest writing program to help you organize your thoughts is what you need, use it.
If working on an amazing old, well-maintained typewriter is what inspires you, use it.
If you have a favorite author’s blog you follow for tips and tricks of the trade, use it.

If you doubt yourself and your abilities and your story, face it and seek people out who you can trust to help you along your way.

Without facing whatever it is that’s holding you back from getting it done, giving up may look more appealing than actually becoming published. It’s a long and hard process. To paraphrase my uncle’s own advise, write the story. That’s really all you’re doing with the first draft. Telling yourself the story. To emphasize what other writers before me have said: the first draft is always crap.

Everything else can come later.


Going the Traditional Route

Stardate 96272.09

My heart has been racing this weekend. I haven’t run a mile or biked or anything like that (which I probably should…). I’ve decided that it is time to face the daunting task of looking for a partner in crime. Also known as a publisher. I was asked on an Instagram post one afternoon if I was going the traditional way of publishing and I said yes, I am.

But, why? When this digital age has so many tools out there to do it on your own, why not just do it on your own? It’s not because I lack the discipline. It’s not that I have time constraints or anyone to set my schedule other than myself. Today I will be discussing at least two of the reasons why I am choosing to go the traditional route when there are so many ways of going about that from publisher to publisher.

  1. The Potential for Feedback.
    Rejection. That’s the number one thing I think authors fear when publishing and just want to do it on their own, building their own empire as they go. I commend those who are able to successfully do that; but whenever I thought of doing that part of it on my own my head began to spin.Unless you’re able to build up an incredible support system, you have the time to teach yourself multiple programs, and you’re a fabulous networker who can find a good editor or book cover designer, AND you have the capital to pay everyone separately (which I do not), then by all means go for the self-publishing.

    Personally, I want the feedback. Whether it’s through straight up rejection or an agent’s perspective, I want to know if I have a good story from folks in the biz who have “seen it all.” I am so thankful to have found a small group of beta readers who are interested in seeing where The Firedamp Chronicles are headed. Even though they’re mostly a critique group, they are also preparing me (whether they realize it or not) to be able to receive news whether it’s good, the bad or the ugly. Sometimes the bad and the ugly can be the most valuable contributions.

  2. Childhood Nostalgia. Now this one might not really make sense, but let me explain. Ever since I was a kid I’ve wanted to publish a book. Back when I was a kid resources like MailChimp, Amazon Publishing and online formatting tools didn’t exist. Not only that, I remember imagining having a team of those who supported my stories around me and give me the opportunities my favorite writers do. That kind of environment of like-minded, goal-oriented people is what I want to be a part of.There is a part b reason within the realm of childhood nostalgia as to why I’m aiming for traditional publishing. My uncle, Bob Hartman, is a published author of children’s books. Of course he has a very specific genre, as I am finding I do as well, but I remember whenever he had a new book published, he’d dedicate it to the next niece or nephew in line and we’d all spend that Christmas reading it. My website’s name is inspired by the fact that there’s other Hartmans in my family who’ve been published long before I was born. They did it the traditional way and have been quite successful with it. That fact alone greatly encourages my own very different journey.

I’m not going to lie – traditional publishing is just as intimidating and just as much work as self-publishing. You have to market yourself in both methods and you have to be confident enough in your work to sell it. I appreciate authors who have published via both methods. The traditional route may take a bit longer, but it’s just as rewarding as self-publishing. Of course, this is coming from someone who has nothing out there at all but her blog and Twitter/IG accounts and a dream, but I’ve met authors, using either method, who have been successful. They know how tough it is in the publishing world as a whole.

Now, time to plan a meet up with my uncle to discuss said publishing!


The Publishing Dilemma

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To self publish or not to self publish. That is the question. I may be borrowing and mixing up a line from literary history, but that’s how this week’s thought process has been going. Although The Firedamp Chronicles series is still in its infancy stages, I am starting to think on the later steps as well. Do I self-edit, self-design and self-publish? Or do I go the more traditional route by paying others to do those steps for me. Self publishing sounds instantly gratifying, but how can you really do a book tour on a zero dollar budget? And what if there are too many uncaught mistakes in the final product?

Although The Firedamp Chronicles series is still in its infancy stages, I am starting to think on the later steps as well.

For most of my life I’ve been a traditionalist. [I may lose a few readers here but…] I am a libertarian in terms of my political views. I believe in minimal government involvement in our daily lives and letting the American people thrive on their own choices rather than having so many regulations, taxes, HOAs, etc. to tell us what to do. I still believe in the American dream – paving a way for ones self and encouraging others along the way. I still believe in the sanctity of marriage, the logical order of things, of a harmony between science and religion. All that might be a bit much for a post about how to publish, right?

Not really, because it all leads up to the point of this blog post. Throughout my childhood I’ve dreamed of becoming a published author, like my uncle. But I always felt like I had to please everyone else around me and I never thought I was good enough of a writer to begin with. Folks I know still don’t believe that writing is a legitimate job, but it’s still hard work. It’s just slower work. It’s disciplined work. It’s organized work. It’s work that has been around as long as any other profession – maybe not a social media analyst or IT director; those jobs weren’t really around until the late ’90s or early 2000s. You get what I mean.

It’s disciplined work. It’s organized work. It’s work that has been around as long as any other profession – maybe not a social media analyst or IT director; those jobs weren’t really around until the late ’90s or early 2000s. You get what I mean.

I am a traditionalist when it comes to publishing. While I do own a Kindle and I have several books on my app on my phone, I still prefer physical books. Their smell. Their feel. The occasional paper cuts when you turn a page too quickly.  Boy, do I sound like a lunatic. But if you are a book lover like I am, you understand.

I’ve seen some pretty bad self-published works out there. There was a story I bought on-the-cheap last year and I found several spelling errors every few pages, awkward sentences, and abrupt scene changes. You could just tell the individual was a new author working on a minimal budget. They didn’t have the resources – or, if they did, just wanted to scrape by in order to get the work published – and I get that. I don’t have several hundred dollars to spend on an editor or publicist or cover designer.

The fear of falling into the bad side of self-publishing is terrifying to me.

The fear of falling into the bad side of self-publishing is terrifying to me. If I am going to put a story out there that took me several years to research and write, it’s a representation of my abilities. Sure, there are some who are able to do all that and are successful at self-publishing. but that’s where my traditionalism comes into play.

It’s been said that J.K. Rowling’s Harry Potter received rejection after rejection before it was finally published. With all that rejection through the traditional route she still pressed on. Harry Potter and the Sorcerer’s Stone just had its 20th birthday (I was 12 years old when it came out. Dang…). But now she also has that editor, that publicist, that assistant, that help. That team of people who believe in her abilities and the characters she created.

I’m not sure if being that well known of an author is a route every person who writes aims for; at least some recognition would be nice. But I think that there are many writers out there, like myself, who have to do it on their own. Maybe self publish one small work, like a novella first, to get their foot in the door. So, at the end of this blog post, I’m still undecided on which direction to go. There are pros and cons to both methods, that’s for sure, but you’ll never know what you’re capable of unless you at least try.


On Social Media and Being Yourself

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Writing is a process. No writer can go into a story without knowing that there is a general logical order of things every step of the way. There’s a process with the writing. There’s a process with the editing. There’s a process with the publishing. And there’s a process with marketing. I don’t claim to be an expert, being as new to this as sprouts are on the first official day of spring. But I thought I’d take a break from my own writing to share what I’ve learned so far. I hesitate to use the word journey because I feel as though I’ve beaten that word to death with overuse on this website already. Expedition? No, that’s too scientific. Campaign? No, that’s too political. Ehhhhh, I’ll think of something!

Processes. Decisions. When you choose to write first you have to choose your niche. Are you a fantasy writer? A historian? Is your history going to be straight up history or history with a twist? Are you going fiction or non-fiction? What kind of characters do you hope to develop? Do you choose simple story arcs or more complicated ones? Are fairy tales your passion or do you prefer hard-hitting journalism?

Is your head spinning yet?

Those are the first questions I found myself asking the day after the idea for my work in progress pushed its way into my life. For some, the beginnings come naturally. They’re able to just write, without thinking about outlining or grammar terminologies or Venn diagrams. For others, like myself, they need that structure to help them along. However you choose to write, stick with that method.

I found myself becoming overwhelmed with all the options and I realized, as I went back through my earlier documents, that that uncertainty was most certainly reflected in the early stages of my thought processes. Occasionally I have to regroup and spend several hours whittling down, rewriting, and condensing information back into a format that made sense.

After two years I feel like I’ve finally found my niche – the things that encourage me to keep going and not to just give up with my writing. That’s what this blog post is all about. Maybe it’ll make some kind of sense, maybe not. But maybe you’ll find something in this post you can relate to in your writing life.

For some the beginnings come naturally. They are able to just write, without thinking about outlining or grammar terminologies or Venn diagrams.

onsocialmedia
Social media is an evil necessity. There are days where I think about completely erasing my footprint from the likes of Twitter, Instagram, Facebook, YouTube and so on in exchange for a simpler life. The life, you know, that existed in 1995. In 1995 Bill Clinton was the 42nd President of the United States, Star Trek: Voyager made its debut into the Trekverse (my dork side is showing here), the domestic terrorist attack in Oklahoma City took place, Syria was in peace talks with Israel, a 7.3 earthquake rocked Japan and the Space Shuttle Atlantis was launched. Oh, and everyone was enraptured by Tom Hanks’ Apollo 13 film.

I was ten years old in 1995 and blissfully unaware of how the Internet, used only through a modem and dial-up back then, would become such an entwined part of daily life. Now, for better or for worse, everyone from actors to publicists to news anchors to the Presidents of the United States uses it. If you’re looking to sell your book digitally, you almost have to have a media footprint. Almost.

It’s something I’ve come to accept as a 32 year old. I have Twitter, Instagram and Facebook. I don’t have a YouTube channel because I hate being on camera and I don’t have thousands of followers. But I’ve found that I enjoy creating blurbs to spark interest in writing. I used to create graphics for my church’s social media, preferring to avoid any potential copyright issues, and I’ve carried that over to my own website and other platforms. This, however, leads me into my next point.

onbeingyourself
What can I say about social media and staying true to yourself that hasn’t already been said? While social media is, indeed, useful in marketing your work, yourself, your image, it’s easy to lose yourself into the streamlined persona that everyone has come to expect. You know what I mean – those ultra filtered perfect looking photos that makes you either A: want their life or B: makes you wonder what they’re hiding behind that facade. It’s also why mental health has become such an issue.

The problem with social media is that *some* folks who follow you can have not only those unrealistic exceptions I’ve already touched upon, but they want you to always be online and respond instantly. Know yourself first, have your priorities straight second. If you don’t you can easily find yourself getting sucked into the “fast fame” mindset. Find a balance.


Social media is a double edged sword. It can be used to gain fast fame or to defame. It can be an incredibly useful tool to expand your readership or it can be an incredible distraction. However you choose to utilize this tool in the 21st century, think twice before Tweeting, Posting, or Snapping. Ask yourself if you’re lifting someone up or tearing them down with the post. I’m not advocating that we shouldn’t express opinions or have strong views. I’m only advocating being smart with it. There is a difference between social justice and spitefulness. There’s already enough of that in society.

Image result for Kindness memes

Kidding…kidding!

I end this post with a hilarious bit from Britain’s great Mr. Bean. In this skit, he goes to library and, as usual, chaos ensues!


That Pesky Point of View

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I feel like I’m doing a lot more blogging than writing lately, but it is, I suppose, my therapy during this process. That’s what writing essentially is – a process. Writing is also considered an art form but in the long run it is also a process. Why do you think there are so many tip websites, self-help books, outlining, and plot line diagrams to help move the stories along? Whether you like it or not many authors/writers like myself need to have a bit of a helping hand.

I feel like this blog is only about the problems I’m encountering as a writer.

I’ll never forget the first time I tried to write a story. I don’t remember what it was about but I do remember that when I went back through it later on I realized I had a problem. A point of view problem. I feel like this blog is only about the problems I’m encountering as a writer. I don’t mean to be so negative but how else am I to seek assistance from those more matured in the craft than I?

In that first story I kept swinging back and forth between the pronouns. I’ve heard others say to not worry about the technical aspects of your first draft – just write it. I know that’s what first drafts are all about; hashing out what you want and adjusting, adding and amending later in your second or third draft. But I’m afraid of slipping back into that old school habit of switching between the POVs from one chapter to the next and losing that continuity. What’s funny is one of the authors I follow on Twitter mentioned the same thing several months back – that she had to go back and edit because of a POV issue. I don’t remember if it was Nichelle Rae, Melanie Dickerson or someone else, but it’s nice to know that even already-published authors experience the same things.

I recently came across a sub-page called Grammar Girl who writes articles about, well, writing (imagine that!) that covers this very topic, and covers it much more eloquently than I ever could. While the article is from 2011 and it is now 2018, some thing never change in the writing world and I am grateful for that. I just know that from here on out I’ll most likely have a post-it somewhere that will constantly remind me of what form I’m using for my point of view. What’s also making it easier on myself is that I’m only doing one character’s point of view per book.

That was the other problem I had months ago – how many characters do I want to give voices to throughout the journey? How many times does that POV change within a chapter? Or does it stay the same in a single chapter? Keep it simple. Keep it real. Keep it within one mindset.

Maybe my next series can be a bit more complicated, unless I never actually finish the Firedamp series. I certainly hope that won’t be the case! I’m just hoping that, as someone who has never taken on a task like this before, I am at least on the right track. The main goal was to not bite off more than I can chew (which was entirely the case during my initial planning phase of this book!). Now if only I can get all the logistics under control… 


The Ending Problem

Hi. My name is Leigh and I have a problem. I have a problem ending my stories.

I don’t think it matters how long someone has been writing or if they even have anything published, it seems like it’s something that any writer can struggle with. With that being said, however, I’m an unseasoned writer who’s never been part of a critique group or had someone who can guide me through the writing process. The last time I had any sort of “class” on it was high school Creative Writing. I think that was the last time I ever finished a story because I had to in order to get a passing grade.

Aren’t those endings the worst?

The ones where you’re obligated to just write SOMEthing that kind of makes sense?

That’s how I felt when I wrote this short story for the class. It was later put into my high school’s 2004 Literary Magazine (I just aged myself right there) and won a prize for it as well. I don’t think I ever felt fully satisfied with it though and I have noticed that trend carry on into my adult writing as well.

No, I don’t mean adult as in sexy stories. Get your mind out of the gutter, people. I mean into my adult years. For example, look at my current novel. My first novel. I have been loving taking this journey that began late 2016 with an idea. It has developed into an historical adventure and I think I am afraid of ending it because I’m not ready to let it go. Granted, I’m still just working on the research and outline portion, and I have everything up to the climax at the top of the bell curve. Once I reach the falling action and the wind down from that to the resolution – my mind goes blank.

I think subconsciously my mind is not yet ready to let go of the characters. It sounds so silly, especially when I haven’t even reached that part in my first draft yet. The other problem is that the book can be any length. It can be thick like Book 8 in the Harry Potter series. It can be just one story in itself. It can have a cliff hanger and leave you wanting to know more about the characters than what’s already there. There’s so many variables in how to end the story.

What if that’s the whole point of not fully finishing the outline? What if I’m thinking that maybe there can be a second book and it just hasn’t developed in the backstory yet? So I suppose then that this problem really isn’t a problem at all. It’s, quite literally, all part of the writing process. I read on another blog not too long ago that in order to pitch a new story to a publisher you *should* have a second book planned to show them that you have faith in the story and can be something that can be easily marketed *like* the Harry Potter series. The Twilight saga (let’s not even open that can of worms). But what if the book is so good by itself that it doesn’t need a companion? I guess we won’t know until we reach that point.

I understand what that blogger was trying to say – about having faith in your own novel enough to want to have a second story to go with it. I think that that train of thought though can maybe make the potential author think too much about the future and not focus on the story at hand. If another plot follows the original, so be it. If it’s going to be a single story within itself, that’s okay too. If we focus too much on the publishing end of things before we have an actual story to work with, that can be just as distracting. So that’s what I’m going to focus on in 2018: punching out a draft and FINISHING the draft before I look for an editor. Before I scope out potential publishers. Before I seek out critiquers (which isn’t really a word. I think I just made that up). Then that way I can just let the story itself flow without all those other distractions.

Problem solved.