Facing It | Publishing Scams

Scammers. They’re everywhere. They find something normal and work to exploit those who don’t pay attention to the fine print. Scammers especially exist in the publishing world and I’d like to share a few examples here without specifically calling anyone out.

I get it. You want to get your story out there as quickly as possible. I used to think that way too until I started reading the fine print on both publisher’s web pages and the ones for literary agents. I began noticing a few trends of things that I questioned immediately. Just the other night I was laying on my bed, flat on my stomach with my feet dangling over the end tapping to my music, and my head just did that “tilt sideways” thing when you go, “Huh? Really?”

Now I’ve said it before and I’ll say it again: I’m no expert. Heck I’m not even published yet. But I’m learning so many things whether it’s just by straight up asking other people or questioning it myself. If you’re a writer you’ll understand things just take time in general. Even finding potential representation. Research that representative or publishing house before inquiring. If they stand for something you don’t agree with, move along home. You aren’t obligated to submit something to them just because you read their web pages backwards and forwards.

There I go with my digressing again. Let’s get back on track, shall we? Listed below are three scams I’ve come across in my agent/publisher search that just don’t look right.

  1. Authors sharing the financial risk (as well as the rewards).
    Sure, I understand paying for an independent editor to take a look at my manuscript before submitting it for publication consideration. I understand, if I’m self-publishing, spending $300+ for a professional book cover design or ebook formatting. Those make sense to me, especially if you’re not skilled enough to do so yourself. But sharing the financial risk? Does that mean you’re going to make my bank account go in the negative if something doesn’t go right? Later on in their same description they also write, “There is a lower risk than […].” Why should I be this concerned about risk? It sounds like they’re trying to scare potential authors away from the full traditional side of the business. Correct me if I’m wrong, but I thought authors didn’t pay agents upfront unless the book is published and there’s an agreement with royalties and all that jazz? Let me know in the comments below if that’s truly the case…
  2. Paying them to print (or reprint) your book.
    Recently I blocked an account from my Instagram. I don’t generally do that unless you’re creepy or are clearly a “buy instafollowers” account, but when I took a look at their website the red flags were ALL OVER the place. The first thing that caught my eye: the fact that they “accepted all major credit cards” as payment. Their long laundry list of things they’ll do for you was impressive, but I’d also consider looking up a complaint history for them. Yelp, BBB, even just a general Google search. There all there for you to use and come to your own conclusions. If their list of complaints is longer than what they can do for you, run. If they want to reprint (apparently that’s a thing) your already published book, run. You get the picture!
  3. Companies that solicit you to publish your work.
    Red flag, red flag, red flag! Cold calling is annoying as a whole, but when it’s something that’s actually relevant to your dream of being an author it’s even more annoying. Normally, traditional publishing houses dive into manuscripts you send in for consideration (or through your agent), accepting or denying those manuscripts, and contacting you with their decision. It shouldn’t be the other way around.Another red flag I’ve found is sloppy work on their own websites. I mean, really now, look at the screen shot from this one site:screenshot-2018-09-20-at-4-46-44-pm.png
    I was the one who highlighted that section, but they don’t even seem to care enough to update this part or at least delete it. Now it could just be an innocent misstep and they forgot to do something about it, but it does make one wonder how often they look at things after setting the site up. Sloppy work doesn’t instill much confidence. Not at all.

The biggest takeaway is this: do your research. When I worked in retail I always told my customers that if something looks too good to be true, it usually is. If someone solicits you, do your research. If someone follows you on social media and they seem like an interesting contact, do your research. If someone…well, I think you get my drift. Don’t be afraid to ask the hard questions, whether if it’s a mentor of yours or the other person directly. If they never answer or skirt around, giving you alternatives or avoid you in general, scam.

The worst part, I think, is that if communication begins fabulously – they’re eager to answer anything, consistently reply and you come to an agreement about something, there is always the chance they may actually fall off the face of the Earth once they have your work. That’s always the risk. In this tech-centered world it’s like online dating. You could talk for months, think you know them, only to find out you’re being cat fished.

Or they can be legitimate, kind and a perfect match for you. I hope you find your perfect matches in the literary world. Someone who believes in your work, in you as a person, and will fight for you as much as you do them. It’ll take some time. I know I’ve talked a lot about running from things in this particular post but scams aren’t always clean, clear, cut and dry entities. Sometimes they look and act completely legitimate until you sign that agreement. I’m just starting my search. So happy hunting, and don’t get cat fished!

Don’t get agenished either.
See what I did there?
I’m terrible.
I know.
Moving on…

Research It | The Pen

September. Leaves are changing color, Fall fever is in the air, and students are returning to school. That means raking yards (yuck), pumpkin spiced everything a bit too early, and an influx of new school and office supplies to make every writer’s heart skip a beat.

If you’re a frequent visitor of my blog you know that I am a writer. An published one, mind you (not yet anyway), but I love finding a good notebook or new favorite pen just as much as anyone else.  Here’s a crazy question: what did people use before the almighty pen? As my one character’s profession deals with using this type of tool, I absolutely had to research it.

What? Research a basic tool? You bet!

Now I know what you must be thinking; It’s 2018. We use computers. You know, electronics? Cell phones. Touch screen tablets and styluses. Why would we need to know that? If you’re writing a modern day novel or non-fiction then sure, use all the modern tech and emoji references you want. What if your book, like mine, takes place in 1864? 1743? 1902? 44 B.C..? You really can’t use tech in those centuries unless you’re dealing with time travelers, portals, and space ships.

I find history fascinating. I’m not a classically historian and I haven’t been certified with signed and sealed stamps of approval hanging on my walls. But writing a historical novel series requires you to know things, everything really, about your chosen time period. So, in this first Research It post, I’ll be discussing and a very important tool that was used even before the invention of the typewriter itself. I doubt it’ll be brief (TL;DR status maybe?), and I’ll give credit to my sources of course. Without further adieu, let’s jump right into this madness, shall we?

Item 1: The Pen. I said PENS. #allthepens
Get your mind out of the gutter, dang it!
nor am I referencing the Pittsburgh Penguins

Which came first? The chicken or the egg? That can be amended to this version: Which came first? The graphite pencil or the pen? Now there is an entire website dedicated to the history of the pencil. I’m not kidding – it’s called pencils.com. I guess everyone has their own specialty, right? But that’s not what this particular section is about. Oh no. This is just as specialized as pencils.com. Enough with the thin sarcasm. Moving on with life!

Fun fact: Harry Potter author J.K. Rowling recently posted this on her Twitter. My own confession: When I was in China in 2008 I wanted to buy all the adorable pens and pencils they had over there. But I guess I’m more practical…?

Typically, when I think of old style pens, my mind always jumps to the fountain pen. Those fancy, gold tipped things that every highly paid executive has sticking out of their lapel. I may be romanticizing that a bit. But what came before the fountain pen? And what came before that? Now I could just link the Wikipedia page here and just be done with it, but what fun would that be? Who wants to click out to a million little pages when it can all be here in one spot? So here’s the general order of things with some overlap of what was used depending on the development level of geographical regions:

  1. Reed and quill pens. c.3000 B.C. – 1700s. Their materials depended on what the writer had at their disposal to use. The type of ink was also determined by what they had to make it with. (Could ink be my next topic of discussion? I digress.) These, I think, are mostly self-explanatory. The tip of the reed or quill was whittled down into a point and dipped into the ink. I imagine they used a lot of ink – some things can be very porous and probably used more ink. Unless, perhaps, it was made of wood.
  2. Metal nib pens, aka dip pens. c.79 A.D. – 1822.  Usher in the Iron Age, where smelting and brewing and mixing of metals gave inventors the opportunity to create new tools. Including pointed metal nibs. These were typically fastened to another thing so the scribe could have a better grip on things. Nibs have been found all over the world in varying designs and their use continued into the 18th century without much change. That is, until the 1600s.
  3. Reservoir pens are not the same as fountain pens. c.1636 – 1827. Terminology doesn’t always do a new invention justice, as the German who developed an ink-holding pen still called parts of it “quills.” One of the earliest patents came in 1636 with more to follow as the designs were perfected and produced. The reservoir pen reigned supreme until the 1820s when a French student invented the newest writing implement.
  4. Ballpoint pens. c.1888 & beyond. A mere 60 years later came the official patent filing of the ballpoint pen. This device is the brainchild of a man named John J. Loud, followed by László and George Bíró,  Juan Jorge Meyne, Slavoljub Eduard Penkala and Yukio Horie with their variations in later decades.

For further details not touched upon here, please visit this Wiki page for all the juicy detailsStill gotta give credit, even to a Wikipage!

The rest is, well, history! I figured I would take it nice and easy for this first entry since it’s where I am in the first draft of my novella. How do you like this new series? Was it at least a little bit informative? Light with a dash of humor, or just plain stupid? Let me know in the comments below what you think!

Also, let me know what you’d like to learn about next:

  1. Notebooks
  2. Typewriters
  3. Ink
  4. Maps

Forward we write!

Facing It | Four Writing Personalities

I think that most of those who write, including myself, have dreamed of having their name included among the greatest authors of their time, from time to time anyway. So I’ve listed, down below, several things I tried and learned they’re things I just cannot do. Or. rather, need more time accomplishing. The next points emphasize the facts that not everything is free, whether its your time or your money.

  1. The Unrealistic Goal Setter. Word count and completion goals
    You really don’t need to be a hero in this area. Any time I give myself an unreasonable goal my mind sabotages my thought process. I always do everything and anything to “distract” myself from actually reaching those goals. For example, I made an IG post the other day about being *this close* to finishing the first draft of my novella. What do I do? I watch late night tv, bake, Star Trek, blog, stare at social media like it’s actually important – you get the picture.Don’t set yourself up for failure. If you’re a new writer, set reasonable goals to start off. If you have a full or part time job on the side, work around that schedule. If you’re worried about word count, and you’re not even contracted for it, there’s no need to think twice about deadlines. You don’t want to sacrifice quality for quantity.

    Don’t set yourself up for failure. […] You don’t want to sacrifice quality for quantity.

  2. The Egotist. Not writing anything down because you can always remember it
    I mean, really now. Unless you have one of those fancy eidetic memories, don’t kid yourself. If you think of it, write it down. If you dream it, write it down. That’s why you see pictures of piles of story notebooks and journals on your fellow writers and authors social media pages. It’s not just for show (well, in the world of social media itself, it could still be just for show). Regardless…#WriteTip: if you haven’t already, start your own stockpile of journals. Big ones, little ones, fancy ones, or simple ones. Find your own niche; the way you prefer to write. Even if you’re one of those strictly-electronic people, you’re not always going to have your laptop or computer by your bed. So get that notepad and start writing!

    If you think of it, write it down. If you dream it, write it down.

  3. The Over-dreamer. Thinking you’re going to get a publisher on your first query
    That is as fantastical as that fantastical fiction you’re writing. There are countless tales online of it taking years for writers to get noticed by a publisher. Now I’m not saying this to scare you away from your publishing prospects, not at all. Think of the next two points as the tough love section. Just how there are “cold calls” done by telemarketers, submitting a manuscript out of the blue can be considered “cold calling” as well without doing any research into the publishing house or sending out a customized a query letter.”But I just want to get published!” Trust me, I get it. I really do. But if going the traditional route is the way you’ve chosen, then you need to have the patience of a saint and the drive to do your research into the publishing houses you want to try for. Here’s a tip I recently learned from my uncle – don’t use that publisher’s book that has lists of agents, publishing houses, editors, etc. for at least the publishers side of it. His reasoning: from the time that book is published to the time you potentially buy it, information could already be outdated. A publishing house could go under. An agent may decide to not represent authors anymore. Go to your genre’s section in an actual book store. It can be at a place like Half Price Books, that unique mom and pop shop you love so much or even Barnes N Noble (if they’re still around in your area). Open the covers of the books in that section and take note of their publication pages. That way you can go online and you’ll know for sure that they’re actually still around.

    Publishing this way takes a lot of hard work, patience (as already mentioned), and tenacity. Make sure you’re choosing houses (no, I don’t mean being sorted into Gryffindor) that might suit you. Or, if you do have an agent, make sure it’s a genre they’ll be just as passionate about representing as you are. Either way, patience, patience patience!

    Publishing this way take a lot of hard work, patience and tenacity.

    1. The World Revolves Around Me. Thinking you can find an editor for free. Or a book cover designer or…
      If you’re going the self-publishing route, be prepared to potentially spend a lot of money doing so. On several websites for editors I’ve found that the minimum is $500 for 20k to 30k words. Ouch! But if you’re looking for an editor or one of those folks who critique works, I’m sure you’ve already heard that it is a valuable investment and it is. It gets you in touch with folks who have been in the business for years and know what to look for. Which reminds me…I need an editor…Along the same lines, cover designing is also up in the non-freebie realm. Even though there’s the old adage of “never judging a book by its cover,” we all still do it, right? Admit it. If the cover doesn’t pique your interest as a reader first, you’re likely to pass it up without even reading the back cover or inside flap. If you have artists in your family or you’re incredibly talented yourself, go for doing it yourself. However, I wouldn’t suggest putting one of those “can anyone just help me out?” tweets up and expect folks to come running. To many it can seem like your begging for attention and you wouldn’t want that either.

      Even though there’s the old adage of “never judging a book by its cover,” we all still do it, right? Admit it. If the cover doesn’t pique your interest as a reader first, you’re likely to pass it up without even reading the back cover or inside flap.

Publishing is still big business. Don’t let those who want to move everything to the tech world fool you into thinking that it’s a dead line of work. Do you know how many other authors and writers I’ve connected with through Twitter and Instagram? Many have been in the biz for years but a good many of them are babies just like me. We’re still finding our way and trusting the experienced to not lead us astray. Sometimes the writer’s community can be a toxic one, but if you surround yourself with the right folks who encourage you and you them, then you have found some gems.

Sometimes the writer’s community can be a toxic one, but if you surround yourself with the right folks who encourage you and you them, then you have found some gems.

Keep an eye out for the scams. If something looks too good to be true then it probably is. If someone is asking you to “give us x amount and we’ll do ALL THIS for YOU,” run hard. Run fast. I came across a website like that recently and their graphics kept emphasizing that they accepted all forms of payment even though they looked quite professional. If you get the feeling that something is off, check their location, their social media presence (ie follower count to the number of active users on their posts – they could have purchased followers to seem like they have a good presence online), and so on.

If you’ve found a mentor you can trust throughout your journey, ask them.
Rely on your instincts and write.

Rely on your instincts and write.

Facing It | Receiving Advice

I’ve touched upon this topic a little bit already in an earlier post, how there’s a fine line between going back over a chapter you’ve already written ten times over without letting yourself just write the story. But now I feel like I’ve gotten far enough along to where I actually need to start paying further attention to lengths of scenes and what’s actually considered “fluff” over what’s actually “necessary.”

A writer has a certain degree of artistic license. Sometimes it works, sometimes it doesn’t. And when it comes time for those edits it can be painful to cut any of it out. Especially if it’s a scene you’ve come to love. Advise is a tricky thing, because you want to learn from someone who’s more experienced than you and that’s why you asked them to beta read in the first place. At the same time you don’t want to just dismiss what they have to say because you don’t like it.

  1. Know that it’s okay to reject an opinion.
    You don’t have to accept everything someone says about your story. If you want to leave a bit in there, leave it in there. If the scene needs shortened or lengthened, do it. If it’s a section that reveals too much of your plot early on, maybe save it in another document to put it elsewhere in the story. I recently had to do that with one of the original scenes I wrote when The Firedamp Chronicles project began. In fact, I had to accept that it actually belongs in the fourth planned book rather than the first. So I have several documents of original scenes, imagery and terminology that I’ll work in as the WIP presses on. Don’t feel that you need to explain all your decisions to your beta readers either. If they’ve only read a couple of chapters and something they suggest (for or against) will make sense later on, don’t reveal all your secrets just yet! Let them discover it on their own.

    Don’t feel that you need to explain all your decisions to your beta readers either. If they’ve only read a couple of chapters and something they suggest (for or against) will make sense later on, don’t reveal all your secrets just yet!

  2. For the most part, they’re right, even if you don’t want to hear it.
    You’ve probably experienced this next topic at some point in your life whether it’s with writing or some other area – advise from family is the worst. The level of acceptance can be depend on the kind of relationship you have with them! (You love your family, for the most part, am I right?) But when it comes to any level of professional advise it can be more prudent to seek counsel elsewhere.

    In the early 2000s it was seen almost “weird” meeting strangers on the Internet. But over the past fifteen years with the rise of multiple social media platforms it’s much more socially acceptable. There’s still the fear of someone stealing your work or “catfishing” you, but there are still trustworthy folks out there whose aim isn’t to take advantage of you. Find a small group of people you trust, using whatever method of communication you trust, and let them know that they can trust you as well. That way, whether you beta read for them or they for you, you know their opinions will hold more weight and the advise pill will be easier to swallow.

There’s still the fear of someone stealing your work or “catfishing” you, but there are still trustworthy folks out there whose aim isn’t to take advantage of you.

So I guess the only question that remains is this: Have you found someone you can trust? I’d like to think I have, and I’d like to think that they can trust me. We all have a singular goal – to be a published author. If we hold each other up and support one another in our journeys rather than be cutthroat about it, then we can celebrate each others achievements and be genuinely happy for each other.

#WQOTD for all you more grammatically-minded folks: Should I have used “advice” or “advise” in this post? I just picked one form and stuck with it!

If we hold each other up and support one another in our journeys rather than be cutthroat about it, then we can celebrate each other’s achievements and be genuinely happy for each other.

For now, don’t worry about the edits, unless you’re already at that stage of course! Just remember that you asked for their help. They’re giving up time in their day to sit down to analyze and enjoy and believe in your story. So don’t be too harsh on your return. They’ll appreciate that you’re just willing to listen!

Facing It | Writer’s Block

I’ve decided to start a new blog series called “Facing It.” I don’t know how original it is or if I’m even qualified to write it, but I’ve recently felt like I need to do just what the title implies. To face it. To call out whatever it is and face it rather than avoid or downplay it. I’m sure there are also countless other blog posts that talk about writer’s block, how to overcome it or let it run its course, so this post will just highlight what I’ve learned and what I’m doing to press on.

  1. I am learning to recognize the difference between “procrastination” and “writer’s block.”
    While I’m not sure if there’s any scientific proof out there to support this statement, I do know that I’ve crossed the line several times into one realm or another. There are days that I want and need to write but I just can’t focus on the outline or story at all. Is that called writer’s block or is that called procrastination? I think that it’s a combination of the two working together against the writer. But what ARE the differences between the two?
    A. Procrastination: Twitter. Facebook. MySpace (yes, that still exists). YouTube. Smart phones. We live in a world of distractions. They’re also tools that connect writers and readers, writers and writers, and writers to potential publishers and booksellers. I feel that procrastination is a sign of doubt. Doubt in one’s ability to write or doubt in the story itself and that’s why the writer gives up. That’s how it is for me, anyway. I’ve found myself doubting my ability to write a novel, much less a series, the further in I go. That’s why I procrastinate. I just need to write the story first. That’s the only way I’ll know if I actually CAN.
    B. Writer’s Block: This one is far more frustrating than procrastination because it’s something that’s harder to control. With procrastination you at least have a choice of not watching that YouTube video or not. Of going on Twitter or staying off of it. This one is harder to overcome because if you’re stuck on a decision one of your characters has to make that will affect the rest of the story then you know that you can’t move on until that’s resolved. I am challenging myself to remember that no matter how prepared I am with my research, outline, or knowing how to get from point A to B to C, writing isn’t easy. Writer’s block is just part of the process. Like researching everything….ChallengeYourself
  2. I am teaching myself that it’s okay to skip a day. Or two.
    Of course, me being me, I chose one of the hardest genres to write: historical fiction. And when you’re writing history you better know what you’re talking about. That’s not intimidating at all! Personally, I’ve found that it’s actually healthier for me to not write for eight hours straight every single day and add some non-fiction reading into the mix. That in itself usually helps get the juices flowing again. A new event. A new date. A new person. A new map. If you can train yourself to think of what you can do to combat writer’s block, do it. Research is what I do. I sound like I should be a stuffy professor in the back stacks of a library. I’m not, but boy does that sound appealing…I digress. Whether you’re researching something new or enjoying a baseball game with the family, don’t feel guilty about not always working on your novel. A work-life balance is necessary with writing just like it is with everything else. Sometimes time away from it is just what you need. I know it’s what I need. I also need to bake cookies tonight…(is that considered procrastination or just “taking a break?”)
  3. I am accepting that it’s okay to have a side story or two.
    This one can be a double-edged sword. You don’t want to have ten side stories you’re working on to avoid your main one. Sometimes you do need a break from the “work” and wind-down with something perhaps a bit more fun. My novel series is the challenge. My current side story is the fun. It’s where I can use “less smart” words and write what I can’t include in the story I intend for publication. The downside to it is sometimes I can write six pages of my side story and just a paragraph of the novel series. To quote Jubal Early from the Firefly series, “does that seem right to you?” Write what just what you need to get the juices flowing once more but then transfer that back to what you actually hope to get published.
  4. I am learning to heed advice from others and trying to not get caught up in the “fluff.”
    Advise can sometimes be a hard pill to swallow especially if you are a stubborn person like I am. Especially if it comes from family. Why is it always easier to take advice from strangers on the World Wide Web (I just aged myself there) than it is from your father, your sister, even your grandmother? But there is such a thing as too much advice which can create more doubt than help. I’m learning to go back to the basics. My website is just one of thousands of blogs out there on writing. That’s a lot of noise and I admit that, while I may not really be qualified on a professional level to tell people what to do and what not to do, I’m finally finding my rhythm after over two years of research (it all circles back to research, doesn’t it?!) Advise is good. Just don’t let yourself get caught up in the fluff, especially if it doesn’t pertain to you.

    Was that just advise? Whoops!

The moral of the story is this: find what works for you.
If having the latest writing program to help you organize your thoughts is what you need, use it.
If working on an amazing old, well-maintained typewriter is what inspires you, use it.
If you have a favorite author’s blog you follow for tips and tricks of the trade, use it.

If you doubt yourself and your abilities and your story, face it and seek people out who you can trust to help you along your way.

Without facing whatever it is that’s holding you back from getting it done, giving up may look more appealing than actually becoming published. It’s a long and hard process. To paraphrase my uncle’s own advise, write the story. That’s really all you’re doing with the first draft. Telling yourself the story. To emphasize what other writers before me have said: the first draft is always crap.

Everything else can come later.

Going the Traditional Route

My heart has been racing this weekend. I haven’t run a mile or biked or anything like that (which I probably should…). I’ve decided that it is time to face the daunting task of looking for a partner in crime. Also known as a publisher. I was asked on an Instagram post one afternoon if I was going the traditional way of publishing and I said yes, I am.

But, why? When this digital age has so many tools out there to do it on your own, why not just do it on your own? It’s not because I lack the discipline. It’s not that I have time constraints or anyone to set my schedule other than myself. Today I will be discussing at least two of the reasons why I am choosing to go the traditional route when there are so many ways of going about that from publisher to publisher.

  1. The Potential for Feedback.
    Rejection. That’s the number one thing I think authors fear when publishing and just want to do it on their own, building their own empire as they go. I commend those who are able to successfully do that; but whenever I thought of doing that part of it on my own my head began to spin.Unless you’re able to build up an incredible support system, you have the time to teach yourself multiple programs, and you’re a fabulous networker who can find a good editor or book cover designer, AND you have the capital to pay everyone separately (which I do not), then by all means go for the self-publishing.

    Personally, I want the feedback. Whether it’s through straight up rejection or an agent’s perspective, I want to know if I have a good story from folks in the biz who have “seen it all.” I am so thankful to have found a small group of beta readers who are interested in seeing where The Firedamp Chronicles are headed. Even though they’re mostly a critique group, they are also preparing me (whether they realize it or not) to be able to receive news whether it’s good, the bad or the ugly. Sometimes the bad and the ugly can be the most valuable contributions.

  2. Childhood Nostalgia. Now this one might not really make sense, but let me explain. Ever since I was a kid I’ve wanted to publish a book. Back when I was a kid resources like MailChimp, Amazon Publishing and online formatting tools didn’t exist. Not only that, I remember imagining having a team of those who supported my stories around me and give me the opportunities my favorite writers do. That kind of environment of like-minded, goal-oriented people is what I want to be a part of.There is a part b reason within the realm of childhood nostalgia as to why I’m aiming for traditional publishing. My uncle, Bob Hartman, is a published author of children’s books. Of course he has a very specific genre, as I am finding I do as well, but I remember whenever he had a new book published, he’d dedicate it to the next niece or nephew in line and we’d all spend that Christmas reading it. My website’s name is inspired by the fact that there’s other Hartmans in my family who’ve been published long before I was born. They did it the traditional way and have been quite successful with it. That fact alone greatly encourages my own very different journey.

I’m not going to lie – traditional publishing is just as intimidating and just as much work as self-publishing. You have to market yourself in both methods and you have to be confident enough in your work to sell it. I appreciate authors who have published via both methods. The traditional route may take a bit longer, but it’s just as rewarding as self-publishing. Of course, this is coming from someone who has nothing out there at all but her blog and Twitter/IG accounts and a dream, but I’ve met authors, using either method, who have been successful. They know how tough it is in the publishing world as a whole.

Now, time to plan a meet up with my uncle to discuss said publishing!

3 Pros for Outlining

There are many things within the authoring world that confuse me, but there’s even more that just makes sense. What might be a necessity for one writer might not even be on the radar for another and vice versa.

I didn’t even know about outlining until a year into my research process. I don’t remember whose Twitter account it was that eventually led me to KM Weiland’s but I came to appreciate her tips and guides and blogs. THEN I discovered that she was a published writer herself with several self-help books on the process – she isn’t just fiction. She’s non-fiction as well.

The more I went through her blog, Helping Writers Become Authors, the more I realized that I really was lacking direction. All I had was the idea, but no idea on how to get from point a to b to c and so on without just abandoning my story all together. From past experience I knew that was my biggest downfall and this time around I want to be published more than ever.

Some, more experienced writers are able to function without the outline structure. They’re the more free-spirited type of writer. The more artsy who has notes and post-its and every inch of their wall or notebook covered from top to bottom with random ideas. Then there’s me. I can’t do that. I need to have a clean work space, I need to be organized, and I need to know exactly where I’m going.

That’s why the outline concept appealed to me from the very beginning, so down below I will be pointing out more pros than cons on the method. I’m sure it’s been discussed on countless other blogs before, but these are just based on my own observations as I’m slowly working through my series.

  1. Some publishers request a copy of your outline.
    It wasn’t until I started looking through that Writer’s Guide book to publishers did I realize that some of those folks actually want a full copy of the outline for your work. I think I saw it pop up more for fiction publishers than non-fiction, but if you already have an outline started and your interested in submitting to a specific place, you don’t have to go back to the beginning of your novel and convert it into outline form. It’s already done and saves you several hours’ (or days, depending on how long your story is) of work. All you may need to do is format it if the publisher requests it and you’re all set!
  2. Even though you may deviate from your outline during the writing process you can always have multiple drafts of the outline.
    While I mentioned I don’t like having multiple notes and post-its earlier in this blog, I don’t shy away from writing in the margins of my physical copies. You should see the first two pages of the first draft of my overall outline – it’s a hot mess of reminders, tips and updates. I’m already working on adding things to my outline that I didn’t have in there before, like certain things a character does or an important subtle hint on what’s coming. I’ll just have to remind myself to print out a new copy once all is said and done and save that version as THE version so I don’t accidentally send a publisher the disjointed original.
  3. Gives you a guide from beginning to end.
    There really isn’t much that needs to be expanded upon with that statement. It says it all right there. An outline’s main purpose is to help guide you all the way through your story from, well, beginning to end [or lack thereof if you’re having a procrastination day!] I felt nearly completely lost without mine. Some days I still feel a bit lost because, let’s face it, I’m creating my own world for someone else to enjoy and that’s a lot of pressure!

Whether you outline or not, whether you fully read this blog post or not, I suspect that we’re all heading towards the same goal of becoming a published author for the first time or you already are and you’re just preparing for your next release. Regardless of your methodology, you need to find what works best for your pacing. Having an outline has helped give me a sense of direction and some sense completion. If you are a new writer I strongly suggest having a read of KM Weiland’s helpful series available on Amazon. (She has no idea I’m plugging this so I swear this isn’t an #ad or anything like that. I just think they’re incredibly useful!)

So don’t worry if you have a day of complete distraction and procrastination. Even seasoned authors have them! Just keep pressing on!

The Infamous Editing Loop

I have a problem. I have more than one problem but that’s not what we’re here to focus on today! That will take far too long (ha!).

I remember reading a quote somewhere, and I have to dig it up again, which states that when you’re writing your first draft that you are writing the story for you and no one else. It doesn’t have to be perfect. You don’t need beta readers or critiques or write groups right off the bat. The first draft is a chance for you to get the story out of your head and onto paper. Or in the form of pixels.

Edit: I’ve found the quote. “The first draft is just you telling yourself the story.” -Terry Pratchett

So why do I keep going back and constantly edit the first few pages of the first story I’m ever considering submitting for publication?


That’s the motivation. Perfection.

The first draft isn’t meant to be perfect and yet I can’t let certain sentences go until I stare at them for an hour each to try and figure out how to best word it. I’m no editor and still I try to be. Do I use a semicolon here instead of a comma? Is this sentence an individual thought or is it part of the next or previous paragraph? Is that the right word I need or do I pull out my thesaurus again?

I think that some tuning is naturally part of the writing process but I know I start running into trouble when I start over analyzing things that really should be left alone for the editing stage.

Perfection can come at a later time, if it ever comes at all. For now, the story just needs to come out.

The Publishing Dilemma

To self publish or not to self publish. That is the question. I may be borrowing and mixing up a line from literary history, but that’s how this week’s thought process has been going. Although The Firedamp Chronicles series is still in its infancy stages, I am starting to think on the later steps as well. Do I self-edit, self-design and self-publish? Or do I go the more traditional route by paying others to do those steps for me. Self publishing sounds instantly gratifying, but how can you really do a book tour on a zero dollar budget? And what if there are too many uncaught mistakes in the final product?

Although The Firedamp Chronicles series is still in its infancy stages, I am starting to think on the later steps as well.

For most of my life I’ve been a traditionalist. [I may lose a few readers here but…] I am a libertarian in terms of my political views. I believe in minimal government involvement in our daily lives and letting the American people thrive on their own choices rather than having so many regulations, taxes, HOAs, etc. to tell us what to do. I still believe in the American dream – paving a way for ones self and encouraging others along the way. I still believe in the sanctity of marriage, the logical order of things, of a harmony between science and religion. All that might be a bit much for a post about how to publish, right?

Not really, because it all leads up to the point of this blog post. Throughout my childhood I’ve dreamed of becoming a published author, like my uncle. But I always felt like I had to please everyone else around me and I never thought I was good enough of a writer to begin with. Folks I know still don’t believe that writing is a legitimate job, but it’s still hard work. It’s just slower work. It’s disciplined work. It’s organized work. It’s work that has been around as long as any other profession – maybe not a social media analyst or IT director; those jobs weren’t really around until the late ’90s or early 2000s. You get what I mean.

It’s disciplined work. It’s organized work. It’s work that has been around as long as any other profession – maybe not a social media analyst or IT director; those jobs weren’t really around until the late ’90s or early 2000s. You get what I mean.

I am a traditionalist when it comes to publishing. While I do own a Kindle and I have several books on my app on my phone, I still prefer physical books. Their smell. Their feel. The occasional paper cuts when you turn a page too quickly.  Boy, do I sound like a lunatic. But if you are a book lover like I am, you understand.

I’ve seen some pretty bad self-published works out there. There was a story I bought on-the-cheap last year and I found several spelling errors every few pages, awkward sentences, and abrupt scene changes. You could just tell the individual was a new author working on a minimal budget. They didn’t have the resources – or, if they did, just wanted to scrape by in order to get the work published – and I get that. I don’t have several hundred dollars to spend on an editor or publicist or cover designer.

The fear of falling into the bad side of self-publishing is terrifying to me.

The fear of falling into the bad side of self-publishing is terrifying to me. If I am going to put a story out there that took me several years to research and write, it’s a representation of my abilities. Sure, there are some who are able to do all that and are successful at self-publishing. but that’s where my traditionalism comes into play.

It’s been said that J.K. Rowling’s Harry Potter received rejection after rejection before it was finally published. With all that rejection through the traditional route she still pressed on. Harry Potter and the Sorcerer’s Stone just had its 20th birthday (I was 12 years old when it came out. Dang…). But now she also has that editor, that publicist, that assistant, that help. That team of people who believe in her abilities and the characters she created.

I’m not sure if being that well known of an author is a route every person who writes aims for; at least some recognition would be nice. But I think that there are many writers out there, like myself, who have to do it on their own. Maybe self publish one small work, like a novella first, to get their foot in the door. So, at the end of this blog post, I’m still undecided on which direction to go. There are pros and cons to both methods, that’s for sure, but you’ll never know what you’re capable of unless you at least try.

Being Yourself on Social Media

Writing is a process. No writer can go into a story without knowing that there is a general logical order of things every step of the way. There’s a process with the writing. There’s a process with the editing. There’s a process with the publishing. And there’s a process with marketing. I don’t claim to be an expert, being as new to this as sprouts are on the first official day of spring. But I thought I’d take a break from my own writing to share what I’ve learned so far. I hesitate to use the word journey because I feel as though I’ve beaten that word to death with overuse on this website already. Expedition? No, that’s too scientific. Campaign? No, that’s too political. Ehhhhh, I’ll think of something!

Processes. Decisions. When you choose to write first you have to choose your niche. Are you a fantasy writer? A historian? Is your history going to be straight up history or history with a twist? Are you going fiction or non-fiction? What kind of characters do you hope to develop? Do you choose simple story arcs or more complicated ones? Are fairy tales your passion or do you prefer hard-hitting journalism?

Is your head spinning yet?

Those are the first questions I found myself asking the day after the idea for my work in progress pushed its way into my life. For some, the beginnings come naturally. They’re able to just write, without thinking about outlining or grammar terminologies or Venn diagrams. For others, like myself, they need that structure to help them along. However you choose to write, stick with that method.

I found myself becoming overwhelmed with all the options and I realized, as I went back through my earlier documents, that that uncertainty was most certainly reflected in the early stages of my thought processes. Occasionally I have to regroup and spend several hours whittling down, rewriting, and condensing information back into a format that made sense.

After two years I feel like I’ve finally found my niche – the things that encourage me to keep going and not to just give up with my writing. That’s what this blog post is all about. Maybe it’ll make some kind of sense, maybe not. But maybe you’ll find something in this post you can relate to in your writing life.

For some the beginnings come naturally. They are able to just write, without thinking about outlining or grammar terminologies or Venn diagrams.

Social media is an evil necessity. There are days where I think about completely erasing my footprint from the likes of Twitter, Instagram, Facebook, YouTube and so on in exchange for a simpler life. The life, you know, that existed in 1995. In 1995 Bill Clinton was the 42nd President of the United States, Star Trek: Voyager made its debut into the Trekverse (my dork side is showing here), the domestic terrorist attack in Oklahoma City took place, Syria was in peace talks with Israel, a 7.3 earthquake rocked Japan and the Space Shuttle Atlantis was launched. Oh, and everyone was enraptured by Tom Hanks’ Apollo 13 film.

I was ten years old in 1995 and blissfully unaware of how the Internet, used only through a modem and dial-up back then, would become such an entwined part of daily life. Now, for better or for worse, everyone from actors to publicists to news anchors to the Presidents of the United States uses it. If you’re looking to sell your book digitally, you almost have to have a media footprint. Almost.

It’s something I’ve come to accept as a 32 year old. I have Twitter, Instagram and Facebook. I don’t have a YouTube channel because I hate being on camera and I don’t have thousands of followers. But I’ve found that I enjoy creating blurbs to spark interest in writing. I used to create graphics for my church’s social media, preferring to avoid any potential copyright issues, and I’ve carried that over to my own website and other platforms. This, however, leads me into my next point.

What can I say about social media and staying true to yourself that hasn’t already been said? While social media is, indeed, useful in marketing your work, yourself, your image, it’s easy to lose yourself into the streamlined persona that everyone has come to expect. You know what I mean – those ultra filtered perfect looking photos that makes you either A: want their life or B: makes you wonder what they’re hiding behind that facade. It’s also why mental health has become such an issue.

The problem with social media is that *some* folks who follow you can have not only those unrealistic exceptions I’ve already touched upon, but they want you to always be online and respond instantly. Know yourself first, have your priorities straight second. If you don’t you can easily find yourself getting sucked into the “fast fame” mindset. Find a balance.

Social media is a double edged sword. It can be used to gain fast fame or to defame. It can be an incredibly useful tool to expand your readership or it can be an incredible distraction. However you choose to utilize this tool in the 21st century, think twice before Tweeting, Posting, or Snapping. Ask yourself if you’re lifting someone up or tearing them down with the post. I’m not advocating that we shouldn’t express opinions or have strong views. I’m only advocating being smart with it. There is a difference between social justice and spitefulness. There’s already enough of that in society.

Image result for Kindness memes


I end this post with a hilarious bit from Britain’s great Mr. Bean. In this skit, he goes to library and, as usual, chaos ensues!