Why is there all this focus on Star Trek on my website? The answer is simple – it’s my absolute favorite franchise. Every time it’s on, it’s like I’ve come home to a friend, or rediscovered a favorite comfort food from ages past. Not only that, but if you can look past the sometimes-hokey story lines and bad episodes (there isn’t a single franchise that can claim immunity from a badly written episode), you’ll grow to love the characters themselves.
Star Trek Voyager‘s original run began in January 1995 with “Caretaker,” and wrapped in 2001 with “Endgame.” Throughout its seven seasons the writers introduced and said goodbye to many secondary characters, and some primary ones too.
In writing, a character’s arc, or their development, is an important piece to the story’s overall puzzle. When written well, a character can incite excitement or take a viewer or reader into the depths of despair. The downside to any Star Trek series is there will always be a character(s) who’ll get more screen time than others.
As with any story, each character has a purpose. Some are clearly main characters, others decidedly supporting, and still others make but a brief appearance. As I learn more about these character arcs, I started comparing them to the crew of the USS Voyager. We’ll observe them by rank, and figure out which arc they fall under. But first, let’s take a quick look at the types of character arcs.
These examples all come from KM Weiland’s “Helping Writers Become Authors,” because her resources are awesome.
Please be sure to stop by her blog, because she goes more in depth with each of these. This is just quick reference for this post. Also, each arc is linked to Weiland’s website so you can dive even more deeply.
Positive Change Arc
To paraphrase: Also known as one of the heroic arcs, characters with this arc uses a known or newly learned truth to try implementing positive change.
The Disillusionment Arc
Characters with the disillusionment arc will either join with the positive resolutions of the story or return to their original world, even while knowing the new “truths.” This is a.k.a a “negative change arc.”
The Corruption Arc
Characters with the corruption arc rarely want to positively change. Instead, they use their original lies to continue on in the “new world”
The Flat Arc
[Also a heroic arc] “These characters experience little to no change over the course of the story. […] Sometimes these characters are catalysts for change in the story world around them.”
The Fall Arc
Another negative change arc. The simplest definition of a Fall Arc is the character must face the consequences + aftermath of their choices. No matter what they try to positively change, if they try, it’s met with resistance and futility.
Now let’s see which senior officer exemplifies which arc.
Do any turn to Corruption?
Note: Spoilers and episode recommendations to follow
Captain Kathryn Janeway
Arc: The Flat Arc
Hear me out here. As the first female captain portrayed by the Star Trek franchise (we can only assume that other female captains preceded her within this universe), Captain Janeway had a lot to live up to. Let’s face it. She followed the likes of James T. Kirk and Jean-Luc Picard. A scientist a heart, Janeway often took it upon herself to study the mysteries of the Delta Quadrant along with her underlings. Episodes like “Year of Hell,” “Scorpion” and “Macrocosm” successfully exhibit her tactical resilience. However, she does have a stubborn streak. One where both Commander Chakotay and Lieutenant Tuvok oft have to act as checks and balances, and remind her she isn’t alone in her command-making decisions. Throughout all seven seasons, Captain Janeway remains one of the most constant characters of them all, and clearly the most developed even before the show begins. For this reason, I’ve labeled her as a Flat Arc character. While she wrestles with her truths throughout the entire series, she rarely falters. What influenced my choice –> How to Write a Flat Character by KM Weiland.
Arc: The Positive Change Arc
Commander Chakotay, ex-terrorist under the Maquis (if you followed the Deep Space Nine series you’ll know more on what this means), and once a cadet at Starfleet Academy, Commander Chakotay is a perfect example example of the positive change arc. We see a LOT of change within Chakotay’s character (and many fans today wished he’d “hooked up” with Janeway, especially after “Resolutions“). Even after Chakotay’s own fall from Starfleet, and even after his commanding position as a Maquis, I think Chakotay became a father figure to the ship’s crew. Both Starfleet and Maquis alike. While his arc eventually flattened out in later seasons, he was uniquely (purposefully) placed to step in as commander in “Caretaker, Parts 1&2.” From his initial introduction to “Endgame,” you know you’d want Commander Chakotay defending your honor. (ie “Basics 1&2“).
Arc: The Flat Arc
Commander Tuvok, the steadfast Vulcan of Voyager’s bridge staff, as well as proficient tactical officer, rarely had episodes dedicated just to his character development. Out of VOY’s entire run, only “The Raven,” “Author, Author,” “Gravity,” “Repression” and “Innocence” showcase Tuvok’s loyalty and tenacity as he works to solve problems or even a murder. His keen investigation skills are sharpened by his interactions with the rest of Voyager’s crew, whether he’s willing to admit that or not. Tuvok’s arc was hard to place, but his is the same as Janeways: The Flat Arc. Before you “poo poo” my conclusion, think of this way. Before VOY aired, you can tell Tuvok’s character already had purpose. He’s placed as Janeway’s confidant and valued friend. And, as the oldest member (being a Vulcan), he’s already had a long-standing Starfleet career (“Flashback“). As such, it only makes sense Tuvok would have a somewhat flat arc.
Lieutenant Tom Paris
Robert Duncan McNeil
Arc(s): Positive Change with a lot of Fall
In the series’ opening, we already know Tom Paris, son of a Starfleet Admiral, fell from grace due to bad decision making and then lying about his mistakes. In Starfleet, rank and relations won’t protect anyone from their own undoing. But Janeway gave him an opportunity to redeem himself (“Caretaker”) and his flyboy nature couldn’t keep him from negotiating a deal. We see his arc grow until season five’s episode “Thirty Days.” Up until that time, he’d worked to earn the field commission he’d been given in an emergency situation. From there he had to work again to regain his crew’s – no – his family’s confidence in him. Notable Tom Paris episodes include “Alice,” “Vis a Vis,” “Lineage,” and “Investigations.”
Lieutenant B’Ellana Torres
Arc: The Positive Growth Arc
B’Ellana Torres was especially hard to nail down, but she’s definitely got a positive growth arc. When we first meet her in “Caretaker,” her Klingon half rules over her human one, and she often gave into it during Voyager’s early seasons. One of her major turning points took place in season four’s episode, “Day of Honor,” when she finally (spoiler) admits her true feelings to Tom Paris. Her development does taper off a bit as with any show, but we get to the core of who she is by season four’s end. Notable episodes: “Extreme Risk,” “Lineage,” “Faces” and “Dreadnought.”
Ensign Harry Kim
Arc: The Positive Growth Arc
Garrett Wang himself has portrayed Harry as “Voyager’s whipping boy.” With everything the writers threw at him – multiple near death experiences, actual death experiences, individual time travel – Harry could’ve easily gone by way of the Corruption Arc. However, Wang’s character managed to keep his optimism, curious mind and scientific know-how. Ensign Harry Kim, I think, drew a lot of his strength from others around him, most profoundly Captain Janeway and Lieutenant Tom Paris (even though Paris disappoints him from time to time). Even though Kim was, in my opinion, under-developed, he still had some positive growth, if not a little flatter than most. Notable Harry Kim episodes include “Caretaker,” “Favorite Son,” “Demon,” “The Disease,” “Course: Oblivion,” and “Ashes to Ashes.”
Arc: The Positive Change Arc
My original feelings about The Doctor aside (I found him quite annoying, along with the rest of the crew), The Doctor does possess a positive change arc. This emergency medical hologram (or EMH), probably had the most lines on the show. One such example of his arc is that it took him years – literally years – to choose a name for himself. From his first scenes to very last. There’s also the added logistical nightmare behind his technological “genes,” somewhat solved with the addition of his mobile emitter in “Future’s End.” After season three he calms down, but has a tendency to throw himself into each new hobby he picks up (opera, a holo-family, social lessons with Seven of Nine, just to name a few). Notable episodes include “Darkling,” “Revulsion,” “Flesh and Blood,” and “Projections.”
I’m a doctor, not a battery.“Gravity”
Arc(s): Disillusionment to Growth to Flat
As you can see, Neelix is a complex fellow, and that complexion is perfectly portrayed by Ethan Phillips. Phillips had previously played several characters in the franchise, including a Ferengi on Next Generation and a different Ferengi on Enterprise. Neelix begins his Voyager journey in disillusionment. While his girlfriend, Kes, settled into life on Voyager quite easily, Neelix was tempted to run on several occasions (as in “The Cloud“). At some point in season two, he and Kes are no longer a couple, and he begins to finally grow as an individual, spreading his own wings and expressing a willingness to try new things (“Fair Trade“). By Season Five, with his character established, his arc flattens. Notable episodes include “Jetrel,” “Once Upon A Time,” “Rise,” and “Investigations.”
Arc(s): Positive Change –> The Corruption Arc
Wait? Seriously? The original ying to Neelix’s yang? Unfortunately, Kes is one of those characters viewers either loved, or loved to hate. Kes, a Delta Quadrant native, willingly joined Voyager‘s crew because of her intense desire to explore the galaxy and leave her Ocampan homeworld behind. Due to her species’ strong telepathic and mental capabilities, Kes eventually had to leave the ship in season four’s “The Gift.” This is where her corruption arc comes into play. Spoiler ahead! Kes returns briefly in season six’s “Fury,” as an incredibly angry individual, believing the crew abandoned her. Something corrupted her in the new years since “The Gift.” But does she stay corrupted? You’ll just have to watch to find out! Notable Kes episodes include “Caretaker,” “Before and After,” “Cold Fire,” and “Persistence of Vision.”
Seven of Nine
Arc: The Positive Growth Arc
Jeri Ryan as Seven of Nine joined the cast at the end of season two, effectively replacing Kes. The Voyager writing room ramped up her arc, using Janeway as her guide as they did with Kes. (Do you see now why Janeway needed to be the most established character in the beginning?) However, Seven grew so much that she was able to call out Janeway as they disagreed on procedure and life in general. Her story continues with Star Trek’s newest addition to its lineup, Star Trek Picard. Notable Seven of Nine episodes include “Imperfection,” “Scorpion,” “The Raven,” “Someone To Watch Over Me,” and “Bliss.”
If you’re a Star Trek fan, did I get this wrong? Or did I correctly analyze these ten characters from a writer’s viewpoint? Feel free to agree or disagree in the comments below.
Conclusion: the more you learn the art of writing, the more you’ll analyze your favorite forms of entertainment.
For I dipt into the future, far as the human eye could see; Saw the Vision of the World, and all the wonder that it would be…Alfred Tennyson, from the bridge plaque on the USS Voyager